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EVENTS |
British Council concerts As part of the music series organised by the British
Council to celebrate their 50th anniversary in India, Cellist Matthew Sharp and Pianist
Dominic Harlan performed at the Experimental Theatre, NCPA, Mumbai, on February 9. The
high calibre of the artistes performing in this series made it a not-to-be missed event.
Clash Of The Titans Magansound's Shashi Gopal, as everyone
knows, has a passion for racing. A few years ago, he instituted the Magnasound Cup at the
Mahalaxmi in Mumbai. This year the race was organised in aid of the Disabled Jockey's
Fund. Sony TV were also among the sponsors. Obviously, the Magnasound gang were there in
full strength, generally having a whale of a time. Making one wish there was more music
industry participation in events like this.
Jazz Workshop Jazz-India in collaboration with the ICCR and the Gaudeamus Foundation of Holland held a Jazz workshop in Mumbai. This Workshop was conducted by Dipamkar Shome - Guitar, Cecile Girard _ Cello, Mischa Kool _ Acoustic Bass, Victor De Boo _ Drums. All of them are some of Holland's best Jazz musicians, and have played in famed groups, like that of Michael Moore, Misha Mengelberg, Bill Evans, Candy Dulfer, Jasper van't Hof and Tristan Honsinger. The Together Quartet also later performed a concert at the Tata Theatre.
The Lata Mangeshkar award for Semi-Classical music, instituted by the Madhya Pradesh Government in 1984, was awarded to music composer Illayaraja this year. He is the 15th music composer to receive the award. This award was instituted to promote Classical excellence in the field of Semi-Classical music. The award is conferred to an Indian artiste for recital, singing or composition. During his three- decade career in music composition, Illyaraja has scored music for more than 4,000 songs for 750 films, in five different languages. |
Pt. Ravi Shankar plays at 'Shanmukananda' Sitar maestro Pt. Ravi Shankar
returned in late February to play once again at the renovated Shanmukananda Hall, in
Matunga, Mumbai, the cradle of Carnatic music in the megapolis. Accompanying him was his
daughter Anoushka. It was after a gap of many years that the maestro played at the hall
(which had been gutted a few years ago), where he has played on at least 20 other
occasions. It was a special moment for him, he said. And then went on to play Raga Purvi
Kalyan and Raga Kirvana, plus a special composition of his own, called `Ratna Sawari'. The
ragas, though, were a little too short, and served only to whet the appetitie of the
capacity audience.
Musician's Conference The 29th annual musicians'
conference organised by the Karnataka Ganakala Parishad, the forum of Musicians, from
February 3-7, at the Bangalore Gayana Samaja Auditorium was presided over by Veena Vidushi
Rajalakshmi Thirunarayanan. Dr H Narasimhaiah, former VC, Bangalore University,
inaugurated and Y K Muddu Krishna, director, Kannada and Culture, govt. of Karnataka, was
the chief guest. |
Venus Celebrates Album Releases Venus Rcords and Tapes Pvt. Ltd. released Jaspinder Narula's debu Pop album `Kuch Kuch Dil Mein' at an exclusive party at Hotel Kings on February 26. Talat Aziz's party was held on February 12 at Sun'n'Sand hotel followed by a live concert on the next day.
UB-40 in Mumbai Reggae superstars UB40 rocked Mumbai with a superlative performance last month, crowning their concert with a rumbunctious performance of the Peter Tosh classic, `Legalise It', which had the cops agape and wondering whether to arrest Ali Campbell, the lead singer. But the rest of the evening was an unmitigated disaster, starting with Techno-Bhajan expert Whosane, followed by the all-girl group Caliche who were hopelessly out-of-tune. Equally boring was Jassi and even the so-called superstar of Bhangra Pop, Malkit Singh.
The Percussive Arts Center,Bangalore, organised their fifth seminar on February 8 at the GIPA auditorium. Kanakapurandara awardee M S Ramaiah inaugurated the seminar. Dr Prabhakara Joshi of Mangalore and V V Parameshwar of Udupi demostrated `Thenku Thittu' and `Badagu Thittu'. Dr Choodamani Nandagopal, in her illustrated talk on "References to Laya Vaadyaas in inscriptions, sculptures, paintings, etc," used slides to illustrate her points. H.S.AnasuyaKulkarni demonstrated `Drums of Papua New Guinea and Uganda' and explained their salient features. P Nambiathan Nambudiri of Trichur and party demonstrated `Chande' of Kerala, `Idakka' and `Ellathalam' with suitable narrations. A Veerabhadriah, veteran Violinist, delivered the valedictory address. |
Taal Prithvi Cafe, in Juhu, Mumbai, has been having a series of concert-demos called `Taal' involving leading musicians like Zakir Husain. Wherein the musicians not only play some grteat music, but also explain to the ignorants the intricacies of what they are playing.
January 20 saw the inauguration of
Shri Lakshachandi Mahayagna. "Held for the first time since 1947, the purpose of this
gigantic effort was to invoke the blessings of the gods,to bring peace and prosperity to
the world," said Shri Vishwanath Chaudhari of Rajasthani Mandal Gokuldham and
Yashodham. Inevitably, music had a major role during the 10-day event, which saw Ustad
Bismillah Khan on Shehnai,Ustad Amjad Ali Khan on Sarod and Pt.Jasraj, mesmerise the
audience with the music of the gods, in the process creating a divine ambience. Parampara series a novel experience For the connoisseurs of Carnatic
music, the `Parampara' series of concerts organised by HMV was a novel experience. The
series brought together established vocalists and their disciples on the same stage. As
the word `Parampara' implies, the concert became a testing ground for the styles of gurus
and their disciples. The first concert featured Sumitra Vasudev, the disciple of R Vedavalli, followed by Madurai T N Seshagopalan. It continued over the next three days with two concerts daily, featuring Abhishek Raghuvaran, R Vedavalli, T N S Krishna, O S Thiagarajan, Tara Rangarajan and P S Narayanaswamy. While the present stars of the stage performed in the style for which they are known, most of the audience's attention was drawn to the young talent for whom this concert was an opportunity to prove their credentials. Coming through this test in fine style was Abhishek Raghuvaran, grandson of the famous Mridangan player Palgat Raghu, and disciple of P S Narayanaswamy. By his ecstatic voice the 14-year-old could easily change his modulations with subtle variations in tone and a fine display of the complicated ragas of Carnatic music |
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